Creative license

So here’s a question for you: When performing a song, is it necessary to stick to the score exactly as written?

I recently read this excellent article in the Wall Street Journal by Byron Janis, a renowned concert pianist. Janis asserts that a performer doesn’t necessarily have to play the music precisely as the composer may have initially intended, and that in many cases the composers themselves actually performed their own pieces in various ways at different times.

I suppose those of us who have taken piano lessons (or any instrument, for that matter) have had it constantly drilled into us that we need to play accurately. Years of instructors peering over our shoulders and judges evaluating and critiquing have no doubt contributed to that.

And that’s not all that bad, is it? Does not poetry have to be mastered, so that the poet can—in good conscious—violate the various rules of poetry (and thereby create good poetry)?

Of course, the larger assumption is that you’re actually good at what you do. Have you ever seen someones failed attempt to “improve” the music? We all have. You can’t write good poetry if you don’t know what good poetry is. It just won’t work.

I never perform my choir music or piano arrangements quite the same way when I revisit them. In fact, I occasionally will come across something that was published five or ten years ago, and think, What was I thinking?! I would never write or play it like that today. I guess that’s part of growing as a musician.

And with more experience, and the more I learn, the less I feel the necessity of playing exactly what is written. I’m more interested in connecting with my audience, getting the point across, and ministering effectively. Those things are more important to the people I serve than any misguided notion of the “sacredness of the manuscript” that I might hold to. And I think the majority of the composers of the music I use would probably agree with and appreciate that position.

Disclaimer: The extent of my knowledge of poetry is from the Dr. Seuss books I read to my children.

Related posts:

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  2. Advice for the busy church pianist
  3. Background Piano Music
  • Leah Gore

    Ok I had to comment on this. Some music is arranged in such a way that only the person arranging it can play it. I am a relatively accomplished pianist, but my hands barely reach an octave, so for some of the octave runs or other such things, I have to change it up a bit. I also do enjoy letting things “speak” to me and using that touch and emotion in my playing. Is it not true that different songs speak differently to different people? (excuse the extreme overuse of the word ‘different’ ) Some songs just sound better played like they are written but I don’t think I ever feel the compulsion to play everything exactly as the score dictates. Call it my rebellious streak. ;-)

  • Gina Sprunger

    I was actually recording a new book today, and found it frustrating to play it EXACTLY as I wrote it! Yet when I play for church, I am much more at ease knowing that I have more freedom to communicate the piece rather than play note perfect. I often “tweak” other arrangements to fit my hand better.

  • James

    Good points, Leah. Some arrangers have very unique writing styles, and it’s difficult to get accustomed to them. Why not change it up to your liking!

  • James

    Gina, you provide an excellent example. That’s one of the reasons I have a tendency to hastily finish up projects; if I sit on it too long, I begin making changes to everything!

  • http://www.greghowlett.com Greg Howlett

    But does this apply to Bach too? Would you dare to change Bach?

    Since we have Bach manuscripts that demonstrate he changed his own pieces, it seems highly likely that he would agree with you James, and probably would not get offended if others changed his pieces either. It is interesting how we have arrived at the point where some composer’s work is granted almost an “inspired” status.

    I know plenty of musicians who would immediately accuse you of arrogance if you dared to change Bach. But in my opinion, this attitude is a slippery slope that works against development in musicians and progress in music.

  • http://Website Laurie Iskat

    Most people listening won’t even know if you are playing the piece as written. My teacher used to say that the likelihood of the arranger hearing you play their arrangement was slim to none anyway. I like to use the arrangement as a foundation and add elements to fit my style.

    Great article!

  • James

    Yes, Greg. Even Bach.

    Great article you provided here:
    http://greghowlett.com/blog/free-lessons/030210.aspx

  • http://jasoncrossmusic.wordpress.com Jason Cross

    I had a music professor a few years ago tell me that music is supposed to sound good, not “right”. I think he was on to something with that one.

  • James

    Excellent point, Jason. Why limit yourself to sounding just right? Go a step further, and sound good!